Nicholas Poussin's The Shepherds at Arcadia Featured in the Film Monuments Men

If there are such things as “constants” in the enduring Priory of Sion, Rennes-le-Chateau and post 1307 Knights Templar mysteries, Nicholas Poussin’s painting The Shepherds of Arcadia (also known in French as Les Bergers d’Arcadie or by the Latin inscription featured in the painting, Et in Arcadia Ego) would be at the head of the list. The Shepherds of Arcadia, due to works like Holy Blood, Holy Grail and TheDa Vinci Code, has become a something of a mascot for the hunt for the Holy Grail, unearthing the lost treasure of Rennes-le-Chateau, and any number of other conspiracy theories. Even if Poussin had no greater machinations than to create a painting, the fact that Shepherds has come to represent the quest the unobtainable is appropriate. The subject shepherds and their female counterpart have seemingly just discovered the inscription, “Et in Arcadia Ego”, and are questioning the meaning of tomb’s epigram. I can think of few better personal visual representations of delving into the unknown than Shepherds. I was able to view The Shepherds of Arcadia a few years back at Atlanta’s High Museum of Art, which only went to further that symbolism in my own mind. 

Nicholas Poussin's The Shepherds at Arcadia

Of course, once the thought of a visual ends up having a meaning for you, it’s rather easy to pick that image out in seemingly random places. One of the unexpected places I spotted The Shepherds of Arcadia was in the widely panned the George Clooney film Monuments Men (2014). The film is loosely based on Allied efforts during the Second World War to secure art looted by the Nazis. For what history Monuments Men gets wrong, the film does, at least, let the public know that there were men and women who risked their lives to preserve the shared cultural heritage art represents.

In keeping with my own personal feelings about The Shepherds of Arcadia, I thought it was rather appropriate that around the four minute mark in Monuments Men, Poussin’s painting makes an appearance. In the scene, a German officer is making it quite clear to an art curator, played by Cate Blanchett, just who is in charge of Paris’ works of art. While the image of a Nazi standing in front of Shepherds is cringe-worthy, it was nice to see that someone in the set department of Monuments Men included the painting along with other, more recognizable, works of European art. One can make their own conclusions as to why The Shepherds of Arcadia was included in such a prominent fashion in this film, but I would rather recognize the painting’s insertion as a nod to the caliber of artist Poussin was rather than being part of a hidden agenda.

Poussin's The Shepherds of Arcadia as featured in Monuments Men

I had actually just about forgotten The Shepherds of Arcadia turned up in Monuments Men until I saw a recent episode of NBC’s The Blacklist. While The Shepherds of Arcadia is not in the show, one of Poussin’s other paintings, Landscape with the Ashes of Phocion is featured at the tail end of “Mr. Gregory Devry, No. 95” (The Blacklist season 3 episode 11). It would seem that the themes of mystery and intrigue get heaped on Poussin’s works in a variety of corners...

A rather hasty screen grab of Poussin's Landscape with the Ashes of Phocion as seen in The Blacklist

River Near Rennes-le-Chateau Runs Red the Day Pope Francis Is Elected?

File this in the ultra-strange bin. Posted on You Tube today was a scene of the La Sals river in Rennes-le-Bains flowing red. Rennes-le-Bains is a scant three miles, as the crow files, from Rennes-le-Chateau and the village is often linked to its mystery riddled counterpart. From the information I'm getting at the moment, the video was shot today. At the moment I'm trying to firm up exactly when the video was shot and will update this post if and when I find out.

If the video was shot today, the timing just adds another layer of mystery to the region. The same day Jorge Bergoglio is elected Pope maybe mean someone is sending a message. If that message is a prank, synchronicity via natural phenomena, or a secret society playing games is up to your discretion. 

UPDATE 15 Mar 2013: We have an explanation. The poster of this video has confirmed that this was done as some sort of hydrodynamics test. Other parts of the river were running "green" the same day. Good to know the world is still running on greased grooves. 

Interview with Priory of Sion Ambassador Nicholas Haywood on Night Vision Radio

Nicholas Haywood

Last night Priory of Sion Ambassador Nicholas Haywood was interviewed on Rene Barnett's Night Vision Radio.  Even as cryptic as Haywood is, there are a a few revelations that can be gleaned from the chat.  First off, there seems to be a rift between different factions within the Priory.  Haywood seems to be quite put out with the fact the Priory isn't releasing information to the public in a timely fashion. Secondly, Haywood  admits that political power broker/industrialist Armand Hammer was a member of the Priory.  For those interested in the Priory, it is defiantly worth a listen... The interview with Nicholas Haywood can be listened to by clicking this link.

Shugborough Hall and the Discover of a Paper Cross of Lorraine

Over the weekend, various news sources have reported on the finding at Shugborough Hall. According to the Sunday Mercury on 16 May 09, a Cross of Lorraine fashioned out of a newspaper dated 20 May 1794 was found "this month" in a roof space of the mansion house. The discovery marks yet another chapter in the potentially esoteric links with the Estate.

Those who are delving into the Rennes-le-Chateau / Priory of Sion mysteries will no doubt be familiar with the Staffordshire Estate. A garden in the Estate holds a mirror image reproduction in stone of Poussin's Shepherds at Arcadia painting. What intriguing about this reproduction is a line of letters, "D.O.U.O.S.V.A.V.V.M.", inscribed beneath the carving. Since the statue was commissioned by Thomas Anson in 1748. Since then, the Ansons and the monument were linked to the Priory of Sion by the authors of Holy Blood, Holy Grail.

The monument and code has proven so tantalizing over the years, that in 2004 Bletchley Park issued a challenge to code breakers around the world. On 11 May 2004, Bletchley Park held an media event at the "Shepherd's Monument" where the public and media could question these code breakers on how they were going to translate the string of letters. It turned out to be a nice little media event with a German Enigma machine on display to remind the everyone of Bletchley Park cracking that code during the Second World War.

After a couple of months of sifting through the attempts at solving the riddle, Bletchley announced on 21 Nov 2004 that they someone had finally made sense of the cipher. The answer came from an American whose answer was "Jesus (As Deity) Defy" A news release on the Bletchley Park web site promised that in December all the answers and methods used to crack the code would be published. To date, and to my knowledge, this has not happened. It's odd that Bletchley Park didn't finish cashing in on the press they had gotten from the code contest by publishing all the answers.

Flash forward to this weekend's news stories of the Cross of Lorraine. It is unusual that such an object would be found on an Estate linked with RLC and the Priory of Sion. What's even more unusual is the Mercury got it all wrong. The cross was not found "sometime this month", but according to the Shugborough Hall web site's press release it was found "in the early 1990's". (I've found over the years that the British Press is horrible about getting facts right in articles of an occult nature.)

A simple Google news search for news articles pre-1999 with the terms " Shugborough Hall cross" comes up with no news stories about the discovery. This would tend to make me believe that the folks at Shugborough Hall held on to the discovery of the paper cross until now. With the release of Angels and Demons this month, it does seem like a good time to parade a new mystery in the public's eye.

Or is May just been deemed public relations month for Shugborough? After all they put the cross on display almost five years to the date of the Bletchley Park press conference. Oh, and the merry, merry month of May was the month of the newspaper the cross was made on too.

If Shugborough Hall is trying to make the world think there's deeper meaning behind their actions and objects found on the grounds, they're doing a bang up job. What is it about May? If I figure it out, I'll let you know.

Pope Lifts 20 Year Excommunication of Four Priests

News came through on the wires today that Pope Benedict XVI has lifted the 20 year-old excommunication of four bishops. Normally, actions like this make headlines as big as Governor issuing a low level pardon. However, the Pope's choice of Bishops to bring back into the fold has outraged the Jewish community and will raise questions for Priory of Zion watchers.

The fours Bishops in question were all consecrated by the controversial Archbishop Marcel Lefebvre without papal consent. Lefebrve was an outspoken member of the Church that came into clashes with the Holy See over efforts to modernize the Catholic Church. To marshal likeminded individuals within the Church, Lefebvre created the International Priestly Society of Saint Pius X in 1970. The formation of the Society was a direct response to opposition over changes in the Catholic Church dictated in the Second Vatican Council. In a 17 July 1976 letter to Pope Paul VI, Lefebvre believed that the Church was collaborating with Freemasons to set the Second Council's reforms into place.

Lefebvre created the Society in such a way that it sidestepped normal Vatican protocol. The Society was never officially recognized by the Vatican. Because of his actions in the creation of the Society; Lefebvre was suspended from his duties as a Priest by Pope Paul VI in 1976. This did not stop Lefebvre from conducting ordinations or mass. The four Priests that had their excommunications lifted were all members of the Society of Saint Pius the X and ordained by Lefebvre himself.

The move by Pope Benedict was an effort to reach out to members of the Society to bring them back into the Catholic fold. On the surface this would seem to be something that a Pontiff would want to do. Mending old wounds and being inclusive seem to be high on Benedict's list of things to do.

Such actions come with a political price when one of the Priests you have brought back into the fold has highly questionable theories on the Holocaust. British Bishop Richard Williamson was recently on an interview on Swedish TV as saying, " that historical evidence is hugely against 6 million Jews having been deliberately gassed."

I'm a free speech sort of guy, but such horrid nonsense such as that really has no place in the reality most of us live in. While not wishing to debate those who take Williamson's stance, I can safely say that such statements are unconscionable. Those at the Simon Wiesenthal Center in Paris have also denounced Williamson's statements as indefensible. I would have added reckless to that list.

Now for you Priory of Sion watchers out there. You might remember that Lefebvre is thought to have been at least an associate if not a member of the Priory. The authors of Holy Blood, Holy Grail cite a 1977 pamphlet entitled Le Cercle d'Ulysse written by a Jean Delaude. This work discusses a number of Priory related topics and names Lefebvre as being associated with the Priory. Le Cercle d'Ulysse alludes to a partnership between the Priory to take on the Vatican with Lefebvre's ecumenical clout. This partnership, evidently, was to secure the return of a King to the French throne and make Lefebvre the Pope.

While the validity of any document that surfaces on the Priory is immediately suspect for fraud or misdirection, one thing is not in question. That is Lefebvre's flock in the Society of Saint Pius X was filled with members of the Action Française organization. This counterrevolutionary group espoused the return of the monarchy and abolishment of the French departmental system. Both measures would politically have decentralized the entire French government and returned France into its pre-Revolutionary provinces. The party is also felt that France should be a thoroughly Catholic nation.

Should the Le Cercle d'Ulysse and the political underpinnings of members of Society of Saint Pius X be accurate, is there some hidden reason for bringing those four excommunicated Priests back to the Church? Pope Benedict would have know of the political consequences of Bishop Williamson's stance on the Holocaust. Given the troubles in Gaza as of late, it further seems that it would not be the time to embrace a man with such ideas.

The flip side to this could be the Priory connections in the Society of Saint Pius X and Benedict's steps in reaching back in history to open glimpses into the Knights Templar. Could there be other forces at work here that would outweigh the political fallout for Benedict's actions? You Priory of Sion watchers let me know.